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Once a project is approved, whether developed from an
original idea or
taken from an existing literary work, screenwriters
will be brought in to
turn that idea into a screenplay or
a script for a television pilot (a
sample episode of a
proposed television series). Screenwriters work
closely
with producers and directors. Sometimes they prepare a
treatment, a synopsis of the story and how a few scenes
will play out,
but no dialogue. Before filming or taping
can begin, screenwriters will
prepare a “shooting
script,” which has instructions pertaining to shots,
camera angles, and lighting. Frequently, screenwriters
make changes to
reflect the directors’ and producers’
ideas and desires. The work,
therefore, requires not only
creativity, but also an ability to collaborate
with others
and to write and rewrite many versions of a script under
pressure.
Although the work of feature film screenwriters
generally ends when
shooting begins, writing for a
television series usually continues
throughout the
television season with a new script required for every
episode.

Postproduction:
activities take place in editing
rooms and recording studios, where the
film is shaped into
its final form. One of the most important tasks in
filmmaking and
television production is editing. After a film is shot and
processed, film and video editors study
footage, select the best shots,
and assemble them in the
most effective way. Their goal is to create
dramatic
continuity and the right pace for the desired mood.
Editors first
organize the footage and then structure the
sequence of the film by splicing and
resplicing the best
shots. They must have a good eye and understand
the
subject of the film and the director’s intentions. The
ability to work
with digital media also is becoming
increasingly important. Strong
computer skills are
mandatory for most jobs. However, few industry wide
standards exist, so companies often look for people with
skills in the
hardware or software they are currently
using.
Assistant editors
or dubbing editors select the soundtrack and
special
sound effects to produce the final combination of
sight and sound as it
appears on the screen. Editing
room assistants help with splicing,
patching,
rewinding, coding, and storing film. Some television
networks
have film librarians, who are responsible
for organizing, filing, cataloging,
and selecting footage
for the film editors. There is no one way of
entering the
occupation of editor; but experience as a film librarian,
camera operator, sound editor, or assistant editor—plus
talent and
perseverance—usually help.
Sound effects
editors or audio recording engineers
perform one of
the final jobs in postproduction: Adding
prerecorded and live sound
effects and background music by
manipulating various elements of music,
dialogue, and
background sound to fit the picture. Their work is
becoming increasingly computer driven as electronic
equipment replaces
conventional tape-recording devices.
The best way to gain experience
in sound editing is
through work in radio stations, with music groups, in
music videos, or by adding audio to Internet sites.
Production:
is the actual making of the film. The
number of people involved in the
production phase can vary
from a few, for a documentary film, to
hundreds, for a
feature film. It is during this phase that the actual filming
is done.
Even before the film or
television show starts production, marketing
personnel
develop the marketing strategy for the release. They
estimate the
demand for the film or show and the audience
to whom it will appeal,
develop an advertising plan, and
decide where and when to release the
work.
They also may
follow the filming or review film looking for images to
use
in movie trailers and advertising. Advertising
workers, or “unit publicists,
” write press
releases and short biographies of actors and directors for
newspapers and magazines. They may also set up interviews
or
television appearances for the stars or director to
promote a film or
television series. Sales
representatives sell the finished product.
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